I'm Ramsey Pietro Nasser. Welcome to my website.
With twelve years of video production expertise, I can get video projects done fast.
In A Few Words.
"Always Hire A Professional."
With numerous projects completed successfully, I know what mistakes not to make. Whatever your needs may be, I can give you a fast assessment of what's needed for the completion of your project.
"The Importance Of Working In A Team."
Not all projects need a team, but some do. Being a T-skilled professional, I can accomplish many tasks all by myself. Ask by email or telephone, and I'll give you an upfront answer on what's needed; and hopefully, it'll all be within your budget.
"A Delighted Client Is Everything."
With numerous delighted clients over a decade, I always aim to please. Agreeing on terms from the outset I find is the best formula for success.
Video Services.
Service #1.
Live event coverage is my bread & butter. That's me filming on the right side of this image.
Service #2.
If we were to play all the testimonials I filmed for businesses back to back, we'd be here for a very long time.
Service #3.
Video editing is my core skill. What a non-professional can accomplish in a month, I can probably do in a day and a half.
Portfolio.
Which of my videos do you want to watch?
Bespoke Video.
This is one of my many completed projects. My client called it: "fantastic!" ⭐⭐⭐⭐⭐ It was a fast turnaround and I made it in short notice. Are you looking to get a custom video made just for you? You're in the right place ✌️ 🏆.
Post-production.
The pen-tablet combo. It gets work done fast.
I have a powerful workstation with GPU, to make sure your videos are pushed out fast. This is my own illustration & animation of what I call the "brick"
Published Articles.
Subscribe to my newsletter.
Sign up to hear from me about upcoming releases and special events.
Contact me.
Questions and Comments are Welcome.
Let me know more about your video Project. I can customise my services into a package that fits your specific needs. Tell me about what you want to accomplish, and I'll get back to you soon with some answers.
Ramsey Pietro Nasser, BA, MA.
14 Berkeley, Letchworth Garden City, SG6 2HA, United Kingdom
🦁🦁🦁
My Welcome.
In case we're not acquainted. 😍. I'm very professional 🤝 and friendly to work with. 😊.
What people say.
Photo Gallery.
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FAQ.
GIF.
Equipment.
Video Camera.
Canon C300
The C300 is an Emmy Award winning camera.
DataVideo Teleprompter with Remote.
A teleprompter will help you deliver your lines to my camera seamlessly, thanks to my half-silvered mirror and scrolling text.
Grip.
Sachtler FSB8 Mark II Tripod System.
The Sachtler liquid heads are acknowledged for their ultra-smooth tilts and pans. It's perfect for following the action without a fuss.
Sachtler FSB6 Mark I Tripod System.
I have a second fluid head for two-camera productions
Edelkrone Slider PlusPRO.
Sliders are great for establishing shots & epic time-lapses. Edelkrone employs a clever track system to get the most out the slide.
Joby GorillaPod 5K Video PRO Kit
The highly versatile, flexible, mini-tripod. I use it to mount b camera
Sound.
Sennheiser 416 super-cardioid microphone.
The industry's favourite and much-revered shotgun mic. I have two of these.
Rycote Windshield Kit, 416.
With a dead wombat, this blimp is the world's best protection against wind-noise. Especially designed, the grip & suspension fit my Sennheiser 416 shotgun like a glove. We're sure to get crystal-clear recordings wherever we might venture.
Sennheiser EW 100 G3 Wireless Mic System.
Every presenter's clip on and forget microphone system.
Sennheiser EW 135P G4 Wireless Mic System.
The indispensible reporters' mic that makes vox pops a breeze.
Olympus LS-10 stereo field recorder.
This sneaky little thing doesn't look very serious until, that is, you listen back with headphones on. It's one of the most impressive high-quality ambient recorders around. I often use a dead cat on top when recording outside.
Zoom H6 stereo field recorder with multiple XLR inputs.
It's OK, but I prefer the LS-10.
Oppo PM-3 headphones.
Uncompromising quality straight into my ears. This way, if there's something wrong with a recording or in ambient, it can be fixed on-the-fly.
Lenses.
Canon f4 8-15 Fisheye lens.
Add flare with this artisan, rarely-used specialist lens. It's great to interiors, alleyways and cramped spaces
Canon f2.8 14mm lens.
This wide-angle is very useful for indoor filming as it gets a lot in onto the sensor. It's the world's widest rectilinear, which means it doesn't bend straight lines.
Canon f1.2 50mm lens.
The classic that gets photographers salivating. Its beauty comes from its fast f stop and zero-to-negligible distortion. This is the ultimate low-light lens.
Canon f1.4 24mm lens.
The quintessential medium-shot glass that isn't over the top and gets the job done. It can distort proportions in its centre if a subject gets too close - so, I tend to be careful in that regard.
Canon f2.8 70-200mm lens.
My all-time favourite zoom. It has a faster f stop than a parfocal, so it's great in low light, and it has a long throw. This means I can film people from a long distance and in low light without making them feel self-conscious.
Canon f2.5 50mm macro lens.
This is specialist kit that creates larger-than-life, blow-up imagery. Macros are known for photographing or videoing insects, flowers, minute details like stitchwork, or even your dental work.
Canon f2.8 100mm macro lens.
More telephoto than the 50mm macro and with Image Stabilisation. Get ready for the big picture.
Canon TS-E 24mm F/3.5L II.
The quintessential architectural lens is now in my lens pouch. Expect spectacularly beautiful imagery of your buildings.
Lighting.
150W dedolight with dedoflex softbox, grid and dimmer.
I like to think of this as my artisan light. It produces a thin slither of an easy-to-control beam that can be used as a subject backlight or a hair light. It really brings out a subject, especially in an interview situation.
300W Arri tungsten with dimmer.
This can be quite a useful fill light especially if diffused; it can also be used with a cookie thrown over-the-top in order to create aesthetically pleasing patterns behind interviewees, just to break the monotony of a bare wall.
650W Arri tungsten with dimmer.
I think of these as my luminosity lights. Cameras need a certain amount of brightness in order to properly expose an image. Simply switching this light on and bouncing it against a white-balanced wall raises luminosity and drastically improves a shot. It's also bright enough to be used as a Book Light. I have two of these.
1000W Photoflex Octodome Starlight with grid and dimmer.
This is the star of the show. Its lightbox mount exploits the so-called Book Lighting technique: viz., two internal diffusers and a reflective baffle. This produces an unspeakably-soft wraparound lighting effect that's perfect for interviews and many other applications. I have two of these.
Post-Production.
Workstation.
Avid Media Composer 2023 Perpetual Licence. ✂️.
Adobe Creative Cloud subscription. ☁️.
Intel® Core™ i9-13900K Desktop Processor 24 cores . 🧮.
Asus ROG STRIX Z690-E Motherboard. 🗜️.
G.Skill Ripjaws S5 32 GB DDR5-6000 CL30 Memory. 💭.
GTX 1070 8GB Strix Gaming Graphics Card. 👾.
Be Quiet! Silent Wings 3 fans with Water Cooling. 🌊.
EVGA SuperNOVA 850 G3 850 W 80+ Gold Certified Fully Modular ATX Power Supply. ⚡.
Samsung 970 EVO Plus 1 TB PCIe NVMe M.2 SSD. 🖴.
72TBs of HHD archive. 💿.
Monitor.
Asus Pro Art PA3229Q 32" Professional Monitor. 🖥️.
Live Production.
LiveU Solo Field Unit with Cloud Bonding ☁️📡
Blackmagic design Atem Mini Pro 🎚️
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